How's it going lurkers? It appears that a nice portion of you took quite a liking to last weekend's Song Saturday and Cartoon Sunday blogs, which I am glad. Therefore, I am sharing London After Midnight once again for Song Saturday. It has been a long time, since I last shared anything by LAM.
A previous Song Saturday blog from 2014, which featured the so-called "project" was updated yesterday.
It would be much better to refer to London After Midnight as a "band," but whatever. That's something to take up with the vocalist, Sean Brennan.
It also would've been much better, if LAM gained more exposure via traditional radio stations, during the 1990's.
During the '90s, Goth music, films, and shows were at their pinnacle in regards to entertainment exposure. At least it seemed that way, during my youth.
During the '90s, Live Action TV shows, cartoons, music, and movies really began to acknowledge Goths and our sub-culture. So, with that being said, I find it a BIT disappointing that London After Midnight wasn't aired on traditional local radio stations, including those in my area.
I don't recall of ever browsing our CD shelves of music at 101.7 WIPZ and stumbling upon LAM. If any of this Goth band's music existed in our studio, I surely would've played them on my radio show, All Things Frightening.
It was not until summer break 2005, that I discovered London After Midnight through LAUNCHcast Radio. In 2005, I was attending my last year at Carthage College. Also, I was no longer hosting my radio show at UW-Parkside because I transferred to Carthage in 2004.
This was along with the fact, that I was feeling politically fatigued from most of entertainment 12-13 years ago. That was another major reason why I quit radio. Entertainment became too politicized.
Entertainers should spend MORE time ENTERTAINING us fans and LESS time acting like a bunch of militant, self-righteous, wannabe political activists ad nauseam at award shows, concerts, and other social/entertainment events.
I want to be ENTERTAINED. Politicizing entertainment and being self-righteous about politics are fantastic ways to alienate loyal fans and hurt an entertainer's paycheck. These wannabe political "activists" assume that EVERYONE shares their views about everything like sycophants, when in reality, everyone does NOT.
Most of what has been released and are still being released are heaping piles of shit.
And Hollywood entertainers wonder why nobody's buying their albums, shows, and movies?
Since we are back on the topic of the Goth Sub-culture, I want to emphasize that the sub-culture is NOT meant for everyone.
At the risk of sounding like an "elitist," "purist," or "gatekeeper," lots of hipsters today are posing as Goths when they know absolutely nothing about the sub-culture and what it's like to endure being mocked, condemned, and demonized by the media, their watchdog groups, and Christian zealots for being Goth. Well, I digress.
In my previous Song Saturday blog about London After Midnight, I explained more about the "project," Sean Brennan's rant about social media, and my usual rants about social media and hipsters (just a smidge. Sorry, I can't it. Hipsters continuously ruin entertainment, food, religions, fashion, and sub-cultures, including the Goth Sub-culture).
In that same Song Saturday blog, there is a block of songs featured from LAM's 2nd album, Psycho Magnet.
Today we are going backwards by sharing a song from London After Midnight's debut album, Selected Scenes From The End Of The World. There are at least 3-4 different versions of this album. Selected Scenes From The End Of The World originally released in 1992 with a purple album cover.
By 2003 and 2008, this exact same album was re-released in other colors such as blue and red for 2 more examples. Each version was re-released featuring bonus tracks, re-recordings, and more.
Anyway, rather than bore you to death with more details and personal rants, here is London After Midnight's "Sacrifice" for today's Song Saturday.
London After Midnight "Sacrifice" Selected Scenes From The End Of The World [2008 RE-RELEASE]
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